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@Cerberus The text is listing in bullet point form the key concepts of design defects. The fist bullet point says "The defect did not occur in the manufacturing process, but rather in the design process". The second bullet point is "Product does not defer from its design". The third bullet point is "Rather than just a few examples of the product being defective; the whole product line is defective". The last bullet point is "The design is usually readily available".
1. Right over here where the light is better. 2. Straight through the attic windowpane. 3. In my right arm since I’m left-handed. 4. Right in front of me next to the chaser.
But a woman just can't sing in male voice, though some women have extremely low voices that make them sound like extremely high pitched men.
So there will be some voices where you don't know if it is a man or a woman singing.
I recently read that Mariah Carey, my favourite pop singer, can sing 7 octaves because she has something in her throat she was born with.
Anyway, I don't know how true this is, but in one choir I was in, I noticed that most of the soprano boys becamse tenors when they broke their voices, while most of the altos became basses. Not all, but most.
> How many men were ruined by context? None! For context is aye a helping hand, A shelf to lead them out of quickest sand, An ax that one must grip with certain hand And through the thickest thorn proceed unvexed.
Any idea on how to word this phase better? Grammar?
"The global ripple of a translation towards another Gregorian New Year is moving through us and upon the following world! Welcome to the future, Welcome into 2019!"
@Robusto Yes, certainly it’s possible. I confess I wasn’t all that terribly impressed with that singer’s technique. He doesn’t manage to switch into head voice with the sort of seamless control you get in professional singers like Casey Breves or Jody McBrayer. And I don’t know that I buy his lower register.
The Pentium FDIV bug is a computer bug affecting the floating point unit (FPU) of the early Intel Pentium processors. Because of the bug, the processor might return incorrect binary floating point results when dividing a number. Discovered in 1994 by Professor Thomas R. Nicely at Lynchburg College, Intel attributed the error to missing entries in the lookup table used by the floating-point division circuitry.The severity of the FDIV bug is debated. Though rarely encountered by most users (Byte magazine estimated that 1 in 9 billion floating point divides with random parameters would produce...
Well it's not even so much that it's a loss to the listener. The point is really that it's a loss for the singer already. They are missing out. On something crucial about a thing that they like. Which would make them like it even more if only they knew.
Simple things can be deceptive like that. Their simplicity is obvious, but their complexity is not.
Paul Simon is a master of that.
In my suggested-videos sidebar right now there's one that says "DonMcLean, American Pie (good quality)". And the thumbnail shows Bob Dylan.
But I will say Pentatonix can fuck up just about anything. Because they're about hair and posturing. Which is a bad start.
Tantacrul is right about the rise and fall, the line, but I really think it almost sings itself. What he's railing at is posturing, having to decorate where simplicity is called for.
"If you're subordinating the music to your technical skill, then you suck." Truer words were never spoken.
There's an example of a master making something new out of something old.
I'd never considered the notion of not letting the countermelody sing out its response in the B section of the first movement, but clearly that works. Its halting nature actually propels the music forward, contrary to what logic might dictate.
Did I say master? Absolute master is more like it.
His rubato seems so unexpectedly right where he uses it in the 2nd movement, too.
Sometimes you listen to an interpretation of a piece of music and you think, wow, that feels so idiosyncratic. And then you notice that the logic of it is inescapable. And that is mastery.
@Færd Hm... yes, looking things up, it must be a myth that it is a myth. Or rather the shortest say must be the day before, of, or after the day that the solstice (a point event) occurs on.
Maybe I was thinking of the latest sunrise/earliest sunset, which is, from @Cerberus's chart obviously not tightly linked to the solstice and is probably an artifact of clock correspondence with astronomical events ('shortest' is not dependent on the clock numbers).
@Mitch There is a regression in the day around solstice times (well, all the time, but most noticeable at the solstices). If the earth travels approx. one degree in its orbit (actual value: 360/365.25) then each day it has to rotate about one additional degree to "catch up" with the current position of the sun relative to the orbit. Hilarity ensues. Also questions about why the times move the way they do.
@Robusto What I’ve never understood is the professional percussionist’s almost freakish ability to have each of their two hands evenly beat out two different and “relatively prime” numbers of notes per beat/bar against each other. And I don’t mean 2 against 3 or even 3 against 4 either; those two ratios are easy compared to the actual demonstrations of this ability that I’ve been present to witness for myself.
The only explanation I’ve thought of is that they’ve somehow rewritten their own wetware through long years of highly specialized training in a discipline that can require and produce a Rain Man type of superpower that to the rest of us seems like it must actually be some sneaky sort of sleight-of-hand or -mind illusion from a sly prestigitator’s bag of parlor tricks.