@JohanLarsson I use it and can recommend it, but with a caveat: if you don't have a whitelist, you'll have to add every a website every time you encounter one that doesn't worth without Javascript. That's annoying, even though it's just two mouse clicks.
You can probably find someone else's whitelist somewhere to import. Or I could give you mine, but it will have a ton of domains that you will never visit.
Yeah, I do see it too. The top color is #32312F and the bottom is #302D27. Looks like someone was trying to do a half-ass gradient, though I can't see where that is in the CSS. Too lazy to look very hard.
Richard Coles (born 26 March 1962
Early life
Coles was born in Northampton, England and educated at the independent Wellingborough School (where he was a choirboy)
Musical career
Coles had learned to play the saxophone, clarinet and keyboards and moved to London in 1980 where he played in theatre. which won the Grierson Award. Coles joined Bronski Beat on saxophone in 1983.
In 1984 Somerville left Bronski Beat and he and Coles formed The Communards, who were together for just over three years and had three UK Top 10 hits, including the biggest-selling single of 1986 with a version of ...
> Coles is openly gay[15] and lives with his partner in a celibate relationship, in respect for the current rules within the Church of England.
So a kid named Dick Coles grows up to be a gay priest.
I wonder whether he has a pipe and a bowl, and fiddlers three.
> Coel Hen appears in the Harleian genealogies and the later pedigrees known as the Bonedd Gwŷr y Gogledd (The Descent of the Men of the North) at the head of several post-Roman royal families of the Hen Ogledd.[2] His line, collectively called the Coeling, included such noted figures as Urien, king of Rheged; Gwallog, perhaps king of Elmet; the brothers Gwrgi and Peredur; and Clydno Eiddin, king of Eidyn or Edinburgh.
> He was also considered to be the father-in-law of Cunedda, founder of Gwynedd in North Wales, by his daughter Gwawl.[4] The genealogies give him the epithet Godebog, meaning "Protector" or "Shelterer".[2] The poem Y Gododdin mentions some enmity between the "Sons of Godebog" and the heroes who fought for the Gododdin at the Battle of Catraeth.
@TimTimmy I use Colorette. I press alt-k anywhere in windows, hover over the right colour (the preview square shows you the colour under your cursor), then press the right mouse button, and the colour code is copied to clipboard.
@Robusto Then it must be the apple's fault, so fickle.
Well, the image is from a JPG so there can be artifacts all over the place. It's not just around the edges, though that is where the artifactory usually happens.
I have no idea why they put so much empty space on the left of that image so that they could set the left edge to 50%, cutting all that space off. It must be a design-ey thing, but I can't fathom it. There would be no difference if they were to cut off the empty space and setting the left edge to 0. Except the browser wouldn't have to download a larger image.
And it's a JPG, so it's not like they don't have to pay for the empty space.
That said, I like what they did with it. A few marker strokes, a few Koh-i-noor Rapidograph lines, and hawt.
A seal, in an East Asian context, is a general name for printing stamps and impressions thereof which are used in lieu of signatures in personal documents, office paperwork, contracts, art, or any item requiring acknowledgment or authorship. China, Japan, Taiwan, and Korea currently use a mixture of seals and hand signatures, and increasingly, electronic signatures.
Chinese seals are typically made of stone, sometimes of metals, wood, bamboo, plastic, or ivory, and are typically used with red ink or cinnabar paste (). The word 印 ("yìn" in Mandarin, "in" in Japanese and Korean, pronounc...
> In size, they are comparatively enormous, measuring 2 to 4 inches (5.1 to 10 cm) across.
BTW, the width of the frame would seem to indicate a gigantic size as well. Look how narrow it is compared to the piece itself. If it were only poster-sized the frame would be the width of a fingernail paring.
Yeah. Back when I was in advertising, 4x5 was the largest transparencies we usually worked with. Some photographers used the Hasselblad 2.5" (IIRC) format.
Going in the other direction, a guy I knew who used to do bird photography used a parabolic reflective lens. I think it was like 1200mm or longer. But he could get amazing closeups. Very shallow depth of field. He had to shoot the bird from the side because if it was head-on, the beak would be in focus but the tail feathers would go soft.
A catadioptric optical system is one where refraction and reflection are combined in an optical system, usually via lenses (dioptrics) and curved mirrors (catoptrics). Catadioptric combinations are used in focusing systems such as search lights, headlamps, early lighthouse focusing systems, optical telescopes, microscopes, and telephoto lenses. Other optical systems that use lenses and mirrors are also referred to as "catadioptric" such as surveillance catadioptric sensors.
Early catadioptric systems
Catadioptric combinations have been used in many early optical systems. In the 1820s, A...
Look at the prices and focal lengths on those mirror lenses, and you’ll see why.
> However, these situations are rare. For example the shots above were taken in a local bird zoo where you can get very close to your subject - in real life you'll most likely end up with situations like in the eagle picture (the 2nd picture) and therefore with unsteady background blur.
I have to tell you, the guy I knew would spend hours creeping up on his prey. He had his camera mounted on a rifle stock and he had a camo poncho over him like a sniper. He would inch a long and get very close.
This guy had frickin' amazing eyes, though. He once grabbed my arm and pointed, saying, "Look, it's an ivory-billed woodpecker." I said, "Where?" He said, "Over by that stump." Me: "What stump?"
> Most unusual are the sightings of Glossy Ibis. Total historic reports for the state are four, the same number said to be seen here in the past two weeks.
The Ivory-billed Woodpecker (Campephilus principalis) is one of the largest woodpeckers in the world, at roughly 20 inches in length and 30 inches in wingspan. It was native to the virgin forests of the southeastern United States (along with a separate subspecies native to Cuba). Due to habitat destruction, and to a lesser extent hunting, its numbers have dwindled to the point where it is uncertain whether any remain, though there have been reports that it has been seen again. Almost no forests today can maintain an Ivory-billed Woodpecker population.
The species is listed ...
The Pileated Woodpecker (Dryocopus pileatus) is a very large North American woodpecker, roughly crow-sized, inhabiting deciduous forests in eastern North America, the Great Lakes, the boreal forests of Canada, and parts of the Pacific coast. It is also the largest woodpecker in the United States, except the possibly extinct Ivory-billed Woodpecker.
Description
Adults are long, span across the wings and weigh , with an average weight of . Each wing measures , the tail measures , the bill is and the tarsus measures . They are mainly black with a red crest, and have a white line down th...
> The Ivory-billed Woodpecker is sometimes referred to as the Grail Bird, the Lord God Bird, or the Good God Bird, all based on the exclamations of awed onlookers.[9] Other nicknames for the bird are King of the Woodpeckers and Elvis in Feathers.[10]
The Story of Film: An Odyssey is a documentary series about the history of film, presented on television in 15 one-hour chapters with a total length of over 900 minutes. It was directed and narrated by Mark Cousins, a film critic from Northern Ireland, based on his 2004 book The Story of Film.
The series was broadcast in September 2011 on More4, the digital television service of UK broadcaster Channel 4. The Story of Film was also featured in its entirety at the 2011 Toronto International Film Festival, and it was exhibited at the Museum of Modern Art in New York City in February 201...