I remember my theory teacher back in the 70s calling a certain chord progression the "Captain Nemo chord", from the famous 1950s movie. It's just some minor-to-major progression, like all white keys to all black keys. I can't remember it and it's bugging me for days now.
Like Am to F# major, but that's not it. I can't remember damn it.
Yes, but that's standard for the last 400 years. The second time is more interesting. It's also standard, but a different standard of much later. 1920s like.
There's tons of videos about it on YT by now. I watched like fifty. Including one where Shore himself sat at the piano. And the thumbnail above seems familiar as well.
Is that Sideways?
Ah, no, Listening In.
Yeah same difference.
I don't think I recall a dedicated video of Neely's.
I am not able to judge, but I find Shore seems to have put more into it than Williams. You can of course find counterexamples of this in both, but you know what I mean.
My big problem with playing things into a MIDI recorder for scoring was that if you didn't quantize it you got really weird rhythm combinations, where you were a 32nd note before the beat or after it. But if you did quantize it, there went all the life of the performance. You can't win. I couldn't, anyway.
@RegDwigнt Somehow I doubt that. You still have to drag the notes to the right places, make them quarters or halves or sixteenths or whatever, and all the little ties and slurs and what have you.
Those are all keyboard shortcuts as well. You just need to know them. I don't know all of them by heart, and I do prefer using the mouse for certain things. But I do use an awful lot. Like halving or doubling note values or switching between voices or adjusting the slurs and the hairpins.
It's just that I only rarely actually do that because my workflow is different. I prefer to make the first bar perfect before so much as starting the next.
Especially when you have a full orchestra score. Or even just a decet, like.
But if you just enter all the notes for the entire piece first and then start thinking about margins and kerning and line breaks, you're basically starting from square one.
Incidentally, that's one more reason why everything takes forever. Every piece you begin transcribing, you first sit there for three days on end listening to all the different interpretations and reading up on the history.
In the middle of all the shots of ouzo and flaming saganaki, more than once a night somebody would get a stack on 1 dollar bills and shoot them out like rain.
@Mitch Q. Why do Morris dancers wear bells? A. So they can annoy the blind as well.
@Mitch So when they light the saganaki kefaloteri on fire they yell "Opaaaa!!!!" And if they accidentally catch someone's hair on fire they yell "Faux pas!!!!!"
@tchrist anyway. The hands don't even look big. Like, I have ninths in my own writing absolutely everywhere, and there's videos of me playing them, but blink and you'll miss it, it doesn't look like anything. It looks like sixths or something.
@RegDwigнt I can play ninths. I have to pop my thumb's magic double-joint for a tenth down the tips. And yes, I do have that. It's only in my thumbs. I don't know why. Childhood piano abuse.
@tchrist well here's the thing, and we discussed that with Rob when I posted that Chopin screenshot originally. Not all tenths are created equal. Chopin was a piano player, and he knew exactly what he was doing. Take that entire chord up just a half-tone, and it's utterly unplayable and shit.
Fallout: New Vegas has a serious problem, in that if you don't guess the right upgrade schema you can't beat the final boss. That's what happened to me. I even knocked the difficulty down from hard to the lowest setting and I still got wiped every time.
Anyway, The Last of Us has shooting in it, but that's only as a last resort. If you go into it expecting to get by with shooting, you will not get very far.
@rednaZ First two are fine, but it would be a tad strange to say an approach bears a problem; native speakers would be more likely to say an approach "comes with" a problem.
Besides, there aren't all that many views of NYC from NJ anyway. All you see are buildings close to you. And in my pic the farthest mountain is 60 miles away, which would be like trying to see the Empire State Building from Bridgeport CT or the Delaware Water Gap in NJ.