@tohecz Agreed! I don't necessarily think all music should be free, BUT I think in church music, the music functions as a tool much the same way software does. Everybody needs to modify it to fit their circumstances, make copies for the choir, transpose keys, etc. If we had open source licenses and a more user friendly version of lilypond a la LaTeX with templates, this would be much easier.
@AndrewCashner however, I've spoken to the author of some of the songs I arranged (including the 2nd one I sent you, Sv37) after one his concert and he told me: "Are you crazy? All my music should be spread and played since I made it for the God to like it! Sure you HAVE TO publish it!" I love that guy even more since then :)
but now I arranged a song by a really good musician who has a band and stuff, so I'm in the phase of collecting courage to ask him for a permission to publish it
@AndrewCashner well, the song is usually played quite fast and sharp, so it's more like rock than blues :) (whence all the 6ths)
@tohecz The E natural/Esharp blue notes, minor sevenths, etc. are what I meant. If I meant this for others to play here in US I would probably notate it in 4/4 or 2/2 (just more bar lines, amateur keyboardists here get nervous otherwise). I like the feel a lot.
@tohecz The music director I work with speaks Czech; do you mind if I share these?
@AndrewCashner I love the song, and it's one of those that are tough to play on a guitar
@AndrewCashner well, the 2nd one has not been published yet, but you can send them to him for sure. (There is a reason why I timestamp all my sheets)
the problem is that this one would use a good preludium, and I haven't got the time to make it. (I've got the idea, though, and there'll be two of them: a long one and a short one)
@AndrewCashner can I just ask you: you've tried to play it?
@tohecz Yes, I actually have the computer desk on one side and the piano on the other, I just swivel back and forth. The room is very cramped but it's fun for me.
@tohecz bottom to top: 1-1 2 3 4 5 . You could put a little bracket next to the bottom two notes as a hint but it would probably take three pages of Scheme code.
@tohecz A five foot Baldwin grand from 1920. It's for sale (reasons above) if you're interested ;)
@tohecz I don't think it's needed. That is one thing about Lilypond--some of the things that are hard to do, you don't really need to do after you think about it.
@tohecz I really like the last two beats of bar four, where you have the blue note E natural against the other blue note D natural, and both resolve down stepwise to the C# - E
and ad 2/2 or 4/4 measure: it's orginally in 4/4 halved, but it's impossible to read it with all the 16ths. So I doubled the notes to make it easier to follow.
@tohecz That was a good choice. Personally I would keep all the note values as you have them, but write 2/2 as the meter and insert bar lines every four quarters.
@tohecz Oh that's the other thing. I like the way you write them, without a lot of ties, but amateurs I know prefer to be able to see where every beat is. So bar 13 would be 4 4 4 4 4 8 8( 4.) 8(
@AndrewCashner yes, and I'll go mad in the LH. No way. I mean, if there's was one or two of them, I'd write them out (because they would be unexpected), but in a piece full of them, you have to get used to them.
@tohecz ^^ this one is a melancholic / depressive song @And
@tohecz Okay that makes perfect sense actually. I really like this one. The intro is interesting, the Refrain part sounds a bit like an American spiritual but the verse sounds distinctively Czech to me. We just performed some Dvorak songs at my church two weeks ago, psalm settings.
well, the song is contrasting: the refrain is a lot different from the verses
the verses are like if you read the most pessimistic newspaper in the world, and the refrain is like a nighmare you get from it when you try to sleep afterwards
@AndrewCashner and it's cool that you play Dvorak at the church. We don't really :(
@tohecz that's hilarious. (If you take out the A in the last chord left hand of bar 13 then you avoid parallel fifths and it sounds a bit more fluid with the left hand voices moving into the B chord.)
@tohecz There are times for parallel fifths but I like to avoid them most of the time, not to follow a rule but because there is usually a more elegant solution. Don't know what the LaTeX analogue is, maybe \bf or using \def when you don't need to, too crude and breaks things. I much prefer the version you just stated---no doublings.
@tohecz I like it. It's striking and fits with your description of this section as not being totally grounded in reality. That said if I was playing this I would probably automatically add a <b2, b2> on beat 4 just to cue the next section. (If it was for congregation). Kind of a delayed arrival.
@tohecz Also it's a nice counterbalance to the previous phrase which ended on D natural. Forget what I said about adding the octave Bs. It's unnecessary. This is a cool piece.
@tohecz I have to go or I will be crushed by impending deadlines. Let's do this more, not necessarily in chat if we're bothering @DavidCarlisle and taking away from the more Tex-related conversation on beer
@SeanAllred Really? I quite like OS X. I may not have used it in an altogether standard fashion, but I'm a refugee primarily because of (1) economic considerations and (b) Apple's attitude to free software. Not because of OS X. But Apple do have a tendency to decide that something is a 'feature' despite the rest of the world considering it a 'bug', and their responses to bug reports leave an enormous amount to be desired.
(I'm assuming the comment referred to OS X. If it was Windows, you'd be right although I try to be especially careful what I say about Windows for precisely that reason.)
(If it was something else, I have no idea...)
But I do detest brussel sprouts quite passionately.
@cfr Brussel sprouts are fantastic – I don't know what you're talking about (really though – I love them :)) And I can understand staying away from it for all of those reasons. Apple has gotten less and less friendly to its developers – interestingly, inversely correlated to how many they have working on their platform…
They have also unfortunately acted as you say as well – touting bugs as features (spaces with multiple monitors, anyone?) – but I'm starting to see that across the board :( it's unsettling
@SeanAllred My advisor objected to an example I used on the grounds that brussel sprouts were acceptable when pickled. But eventually I proved that the person referenced in the example agreed with me and the use of brussel sprouts made it into my dissertation unmodified ;).
I think it is a great shame about Apple. OS X was really exciting when I started using it. (Even if it did take me literally years to compile a working version of GIMP.) But it started to feel restrictive - I didn't like the moves to curtail users freedom, or there response to conflicts between e.g. the GPL and App Store policies. And, well, GNU/Linux is not a bad place to be an asylum seeker!
@cfr :) I've been thinking about installing Arch side-by-side with OSX for quite some time. I'm just a little skiddish about it – I've never dual-booted before (at least, not from a single physical disk)
'their' not 'there'... I was disgusted when they started charging for development tools. (Not much but it was the idea which I objected to. I had felt that was a real difference.)
I have dual booted from a single disk on a Mac but not with Arch. Debian.
Actually, that was my first install of GNU/Linux. I guess you have used it a bit since you are considering Arch. (I have Arch on my laptop now.)
Especially since the heart of the development tools are GPL GNU stuff anyway. (Compilers etc.) I think they could have done a lot more to work with the free software community and I think they should have given that OS X is built on their work!
@Nick it should be \mathcal{T} with braces but also they're math fonts not really designed for initials (although obviously you can sort of get away with it a bit)
If you want to start a new paragraph, you should simply use a blank line.
See, a new paragraph, because there is a new line above. No need for anything else. If you want to have a vertical space between the paragraphs, tell us your document class.
@PauloCereda otherwise if \a and \b are macros with integers \romannumeral\a000 \romannumeral\b000 is a+b m's (by expansion) then all you need to do is count them expandably and you have a+b
@JosephWright do we have an existing variable for a catcode 12 } or do you have to use \edef\zz..\string{ suitably hidden with _ and : (current expl3 question)
@PauloCereda well, here as well (not that bad tho). The price in EUR is usually slightly larger than the price in USD, but remember that USD is only 0.80 EUR :( and when converting from EUR to CZK, you usually add more 10%
@tohecz Nice. I have 4 pianos now. A Roland and an Yamaha with full weighted keys, and a Kurzweil and M-audio with semi-weighted keys. Personally I like the full weighted ones, but they are very heavy. :)
@tohecz I have this M-Audio, which has smaller keys. It's insanely light, I think I can carry with just one hand. My Roland, on the other side, I cannot carry it by myself.
@DavidCarlisle We probably either need a str type or a convention for a (small) set of such constant useful chars (we could use just \c_foo_str in the same was \c_one is clearly an int but lacks _int at the end).
Die terra mineralia ist eine Mineraliensammlung im Schloss Freudenstein in Freiberg. Die Sammlung wurde 2004 von Erika Pohl-Ströher der Technischen Universität Bergakademie Freiberg als Dauerleihgabe überlassen. Die terra mineralia wurde im Oktober 2008 eröffnet und ist mit über 80.000 Exponaten die größte Mineralienausstellung der Welt.
== Pohl-Ströher-Sammlung ==
Die mehrere zehntausend Exponate umfassende Mineraliensammlung von der aus dem Erzgebirge stammenden, deutsch-schweizerischen Unternehmerin Erika Pohl-Ströher wurde am 30. Juni 2004 durch einen Vertrag der Bergakademie Freiberg...
The biggest collection of stones (sorry, minerals) in the world
@DavidCarlisle Sure, but the amount of hearing impaired is far less. And there is a difference between german and austrian sign language. What the heck?
I want to typeset code snippets from different programming languages. I couldn't get listings to do what I want (one complete height of an empty line takes up too much space for my liking) and neither did I manage to define everything I want myself.
I'd like to define a new environment where re...
As part of my research I need to find the detailed list of books written using TeX, LaTeX.... I am from Computer Science background, and found some books written making use of TeX, LaTeX... Could you please give a list of books written using this. I know the list is large. It would be ok to inclu...
@Werner yep I've got one too, I keep trying to get one here but those pesky answer the unanswered sessions make it difficult as people vote for things (and of course you have to hide the answer from @PauloCereda's robot voters).