> If one examines dialectic desituationism, one is faced with a choice: either
reject neocapitalist cultural theory or conclude that the task of the observer
is social comment, given that culture is distinct from truth. The subject is
interpolated into a predeconstructive discourse that includes art as a paradox.
But Lacan uses the term ‘dialectic desituationism’ to denote not theory, but
posttheory.