Sat 01:11
4
Q: Guitar tablature Flamenco : How to play / what does mean oamip?

Louis RBonjour, Greeting from Lyon France =) Not even sure of the formulation because searching for "guitar tablature oamip" return zero google's result. Do you play this like a rasgueado with all 5 fingers? And what the o stands for ? its not the pinky ? Thank you for the support. Have a nice day Regar...

Wed 20:34
1
Q: Difference between DDUUDU and DUUDUD strumming patterns

Chirag PatelI have just started learning the acoustic guitar. I am a bit confused about strumming pattern. If I am following the pattern DDUUDU, is it the same as DUUDUD ? As it just repeats itself. Is there a subtle difference between these two ?

Tue 18:56
3
Q: How much of this music is one motif?

CybranIn the image below, is 1 a motif and 2 another motif, or are they both a 2 bar motif? I'm guessing it's a 2 bar phrase made up of 2 motives in an overall 8 bar period form.

Tue 09:35
3
Q: Schoenberg's dynamics don't make sense - how should performers interpret them?

nuggetheadI have found many dynamics in the music of Arnold Schoenberg that don't really make logical sense if you think about them. Curious as to how others would interpret them. This bar of piano music (from Op. 33) is one such example. The pianist is to play that D# with the left hand, crescendo and d...

Feb 17 20:55
2
Q: Appoggiatura's in the music of Balbastre

user1379983I compared quite a lot of recordings on Youtube of a piece called La d'Héricourt, 2nd piece of pièces de clavecin of Balbastre. In measure 7 and 8 there are some appoggiaturas. From what I hear is that all appoggiatura's are played rather short, and never taking a half or 2/3 of the main note. ...

Feb 16 19:57
1
Q: What Lilypond features does \parallelMusic not work well with?

n.r.A proficient LilyPond user recommends the following: Another essential practice is to notate voices separately. Never use \parallelMusic. [...] I started using LilyPond with \parallelMusic. That was a big mistake. It took a very long time to convert all of that music to separate voice blocks. \p...

Feb 16 18:27
4
Q: What is the convention for notating long periods of rest?

kargirwarSay there is a score of 100 bars. It has many instruments. So there would be a staff for each instrument. Say an instrument is supposed to play only between bars 51 and 60 and from 81-90. How would such a score be written? Would there be many many rests for the staff of that instrument? Or maybe ...

Feb 13 07:26
3
Q: Can anybody tell me what chord this is? A half diminished?

user118195Can anybody tell me wich chord this is? A E half diminished chord? An A#6 with 4th augmented? This is from the last page of the Liszt Sonata in B minor

Feb 12 23:58
4
Q: How to typeset coll'ottava in LilyPond?

n.r.How can I typeset coll'ottava (or col 8, coll' 8, etc.) markings in order to double music at the octave in LilyPond? A coll'ottava isn't the same as an 8va or 8vb. From Wikipedia: The abbreviations col 8, coll' 8, and c. 8va stand for coll'ottava, meaning "with the octave", i.e. to play the not...

Feb 12 16:30
3
Q: Correct usage of double barlines

MarkAs far as I know, double barlines can be used to separate sections of a piece. Some examples I found on my books: between variations (if there is no repeat sign) between an introduction and the solo entrance to highlight the da capo al segno points when the piece is composed of different parts (...

Feb 12 01:13
3
Q: In orchestral writing, how did (Baroque) composers think about two parts almost doubling one another but not quite?

GabiHere is an excerpt from Bach's first movement of Matthäuspassion. Note how the choral bass almost doubles the continuo, except for some small ornaments which are very much thematic; then it goes to diverge for a bar, then goes to 8ves and unisons. It's almost as if the continuo is the Schenkerian...

Feb 9 20:38
1
Q: Practice methods for learning to play melodies on an instrument?

ScoungedI'm a bit unsure exactly how to phrase this question, but here goes. I recently received a chromatic accordion as a Christmas gift (C-system on the melody side, stradella system on the bass side), and since I'm somewhat experienced with piano accordions, the thing I want to focus on in particular...

Feb 9 18:46
3
Q: Can a flutist make an accent during a legato?

MarkWriting a music for flute & piano, I wrote some fragments like this one for the flute: the tempo is about 𝅘𝅥 = 112-114. I wonder if is it possible to play the accents within the legato. I'm aware it is possible when playing slowly, but given the speed of the 16th tuples I'm not sure if the notat...

Feb 8 12:57
5
Q: Is it acceptable to divide the bass section into two groups of contrabasses for just a few measures of the piece?

brilliantIs it acceptable to divide the bass section into two groups of contrabasses for just a few measures of the piece? If so, what notation should I use to indicate this split?

Feb 7 19:27
2
Q: Some instruments (e.g. banjo and electric bass) can be fretted or fretless, other instruments are always fretted or always fretless. Why?

zabolekarElectric bass guitars and bass ukuleles sometimes have frets and sometimes don't. Both variants are widely used, manufacturers sometimes make two almost identical models where the only difference is one of them not having frets, bass players often play both variants and use the one they currently...

Feb 6 17:45
3
Q: Interpreting two voices in a guitar score

Anton SolominI'm not a musician, I'm trying to pass an existing score (that I learned when I was a kid) to MuseScore. It's Aires De Linares for guitar. The time signature is 3/4. Here's where I'm having 2 issues passing it into the program. There are 2 voices in this measure. The green section is a full meas...

Feb 6 17:00
1
Q: two guitars of the same model with same strings, one is much harder to play, why?

darkdiateli have two steel-string Fenders CD60, one DS-V2 bought many years ago, and another DS-V3 bought 3 years ago, same strings Ernie Ball 2047 on both same regular tuning yet playing V3 is much harder, strings feel much, much more tensed playing on it feels like I haven't practiced enough, except that...

Feb 6 05:28
2
Q: How should I format this rhythm?

Priff13 How should I format the rests and notes in this rhythm to be easier to read and less cramped? Edit: forgot to show the meter, added new picture

Feb 4 04:37
1
Q: How many notes does this harp run comprise of and which ones?

CybranIt starts in the bass clef on E and ends in the treble on E but is that just a big skip from the D# to the E or are there notes filled in between? Thanks

Feb 2 19:07
1
Q: Dm/A (2nd Inversion) – Correct Left-Hand Fingering?

BornToCodeWhat is the correct left-hand fingering for Dm/A (2nd inversion) on the piano? I've seen different recommendations—some tutorials suggest 5-2-1, while others use 5-3-1. On pianochord.org they list 5-3-1 for Dm/A, but for other similar chord shapes, like C/G (2nd inversion), I saw they recommend 5...

Feb 2 04:32
1
Q: Same note on both staves - particular case

user117284First time poster. I’ve been working to teach myself piano for about half a year. I don’t have a teacher. In the attached music, i am being asked to play a note that appears on two staves at the same time. How do I handle it in this particular use case? I’ve read through other examples asked by p...

Feb 1 01:57
1
Q: Roman numeral analysis of seventh chords in a minor key

RicBrIn the system of Roman numeral analysis that I'm using, all diatonic seventh chords seem to end with "7". For instance, in D minor FACE is called III7, not III#7 or IIIM7. And in this system, in D minor, FAC#E would be III+7. So, it seems the triad is clearly specified, using capital or lowercase...

Jan 29 21:54
3
Q: Notation sources for both rhythm and chords

Richard KroyerI can't seem to find a notation that shows how chords show up in a measure with lyrics. Tab shows how the chords show up in the measure, but no lyrics. It's easy to find lyrics and chords, but they never display measures...so the rhythm is implied through the lyrics. Is the only solution learning...

Jan 29 13:33
1
Q: Looking for a term to refer to a certain drums pattern (not a drumroll)

Cal-linuxIn popular (i.e., non-classical) music, especially in rock/pop and similar styles: is there a term used to refer to a pattern where the drums delineate a transition between two distinct passages, or to provide an "entrance" to some prominent element/figure in the progression of the piece/song? In...

Jan 27 19:47
5
Q: Slur across a tie

MarkI'm fully aware of the difference between a slur and a tie, but I wonder if there is any guideline about how to place a slur that ends on a (multiple-)tied note. Please, consider the following examples: and both will be played in the same way: legato from C to F. Is the different way the slur i...

Jan 27 12:30
6
Q: What do these notes above the staff with lines through them after a time signature change mean?

JohnI have a notation I have not seen before. Anyone have a clue? There is a half note next to a half note with two parallel lines on one note’s stem. These are above the measure and not notes to be played. It’s a notation. The measure is the start of 5/2 time signature. It has a dotted whole note ti...

Jan 27 12:08
2
Q: Does there exist a closed definition of music?

Wyvern123First off, I know there exists great subjectivity in music. But excluding things like preferred composer, style, or genre...Is it possible to create a closed definition for music? I've come across a number of proposed definitions, the simplest of which is 'organized sound.' But this seems much to...

Jan 27 02:41
1
Q: Question about Autumn Leaves in G/Em: What is up with Cmaj7? Real Book

user116705I will cop to "learned it from the Real Book" but learned it before in a different key (E/C#min?) so in this version it starts out as a ii V I in G then there's a Cmaj7 followed by ii V one in Emin. Is it the (picardy?) VI of the 6 2 5 or a tritone substitution for the F#-7b5, the ii? It doesn'...

Jan 26 00:08
6
Q: What does "CLICK IN" and "CLICK OUT" mean on a score?

DustonI just got handed the bass book for "Mean Girls" and many of the tunes have "[CLICK IN]" and "[CLICK OUT]" markings. What do they mean?

Jan 25 00:09
2
Q: Is it okay to play two adjacent notes hammer-on when playing fast?

SoheilI was watching a YouTube tutorial on Desperado for guitar. The instructor played the first bar several times, and when I watched closely, I noticed that he occasionally played the last two notes of the bar hammer-on (especially when he was playing fast). Here is that part of the video. I'm wonde...

Jan 23 21:35
1
Q: What key is Chopin's Nocturne Op 37 No 1 in G minor?

Mustafa chaabanI have a question about this particular piano piece, keep in mind I have a very limited music theory knowledge. Okay, so I'm playing Chopin's Nocturne Op 37 No 1 in G minor. But the piece ends on natural B — I mean the last note is natural B. Is the piece supposed to be in B major or B flat maj...

Jan 23 20:50
2
Q: How is the fundamental frequency formally defined?

noobGiven a frequency-amplitude graph as one would obtain from a Fourier transform of some sound wave, how does one unambiguously determine, numerically/formulaically, the fundamental frequency? Example: Suppose I have a tone consisting of exactly four pitches: 311Hz, 457Hz, 622Hz, and 914Hz. Which o...

Jan 23 00:24
2
Q: Instrumental melodies and vocal melodies

user116369I've been learning music theory and composing. When I'm learning songs on the piano (from a youtube tutorial) the melody always sounds different from the original song. I don't understand if there's a difference between the instrumentals and the vocals. when composing a song is the instrumental m...

Jan 22 16:58
1
Q: How is it determined that the Balatro soundtrack is in 7/4?

KrishnabmSorry if this is a newbie question. By ear I am simply not able to determine the time signature of the Balatro soundtrack. I've read comments online that it is in 7/4 time. Can someone guide me how this is counted? The beat I can surmise is basically - dunk-dunk-dunk-dunk (4 equal beats) dunnnk-d...

Jan 21 01:34
3
Q: How do I play these grace notes? They don't fit in the measure

Catharsis Right at the beginning of the Prelude from "Le Tombeau de Couperin" there are some grace notes that don't fit in the measure. I've been thinking of treating the entire shape as a turn for the third 16th note or just playing the grace notes faster so that the second 16th note matches in both my h...

Jan 20 01:01
1
Q: What is happening in House of Memories at 2:00?

Cort AmmonIn House of Memories by Panic! At the Disco, there's an interesting rhythmic effect at the 2 minute mark (link is 15s before it happens). It feels like the music is unraveling. I feel like there's a time signature change, but every time I try to count it, I lose track of the beat for about 10s,...

Jan 19 05:55
2
Q: What is abstract music?

HNHNWhat do people mean when they call music abstract? I’m confused because to me it seems that all music inherently abstract. However, if I write a 4 chord progression and slap some simple melody on top, that would not be called “abstract music” even if this piece is not “about” anything in particul...

Jan 18 18:26
3
Q: Piano technique: Emphasizing finger movement

HNHNDuring my lesson today my piano teacher told me something that gave me a pause and I want to get additional perspectives. While we were working on scales, she commented that I should emphasize my finger movements more (lifting individual fingers up and landing them on the keys), and that my hand ...

Jan 17 11:36
1
Q: How does this chord progression work?

Rizzy I've been studying other people's chord progressions to get better at creating my own. I found this one online and it really stumped me on how it works. I put down what I'm thinking so far, but I'm relatively new to this so please let me know if I'm going about this wrong :). D min -> D# dim7 : ...

Jan 17 10:52
3
Q: Does the definition of melisma include the consonant in a syllable or is it just a run on a vowel?

LeciferSo a syllable is typically defined by linguists as a nucleus (most often a vowel) with optional sounds before or after that nucleus (margins, which are most often consonants). This means that syllable can just be a vowel without a consonant. The examples i’ve heard of melismas are always runs on ...

Jan 16 22:55
3
Q: Why think of the Aeolian mode as an altered *major* scale?

PerdendosiI'm working through the book The Musician's Guide to Aural Skills: Sight Singing, by Murphy, Phillips, Marvin, Clendenning (Third Edition), which in general I am finding to be excellent, but something strikes me as curious: At the end of Chapter 5, a short summary of each of the Dorian, Phrygian,...

Jan 16 09:51
1
Q: How did different cultures develop different tuning systems?

notduckI am writing an essay on how musical tuning systems developed differently across cultures. Currently I'm looking into how Europe eventually came to the standard 12TET, while there were other systems being developed such as Vincentino's 31TET. I am also looking into the 7 note tuning system of Tha...

Jan 14 14:49
3
Q: Text inside bar

radjagihow to write text inside bar/staf? I try this one, but the bar size not fit with the text. And how to hide the staffline behind the text? \paper { indent = 0\mm short-indent = 0\mm } \relative c' { \time 2/4 c d e f g a b c d e f g a b \break \override TextScript.extra-offset = #'(-1 . -3....

Jan 12 07:07
1
Q: How to know which note of the turn (or trill or mordent) the explicit accidental applies to?

GrandAdagioAs an example, in the beginning of Chopin Polonaise in Ab major posth. B.5,there is a natural sign under the turn symbol. In this particular case it seems obvious the natural sign applies to the D and not to the E, because it sounds right and also the E before the turn was without natural sign. B...

Jan 9 10:20
2
Q: Can i use put an A or D string on my violin in place of a G string?

user103302Can I use put an A or D string on my violin in place of a G string? I don't think I have a G string to use.

Jan 8 01:42
1
Q: Changes to make to improve feet/pedal playing

timbordenSometimes it feels like I can't keep up with my feet/pedal playing...what changes can I make to improve? Do I need to stretch and/or strengthen my ankle? Do I need a better throne? (I'm tall and use a cushion on top) Is it better to play with my heel off the ground? (I struggle to stay balanced a...

Jan 6 04:10
4
Q: Varying output from single file

MikeiLLHoping for the ability to output variations on a score from a single .ly file. For example the vocalist only needs a "lead sheet", but for myself I may also want a piano staff. There are command line options which could perhaps set an environment variable, but I'm not sure if the .ly file itself ...

Jan 2 09:25
1
Q: What are the key rules and concepts in Lyric Setting and how are they done properly?

LeciferI am looking for all of the rules and concepts in lyric setting and how to properly apply them. The definition of lyric setting is, the process in songwriting of placing textual content (lyrics) in the context of musical rhythm, in which the lyrical meter and musical rhythm are in proper alignmen...

Jan 2 06:27
4
Q: Pressing electric guitar strings out of tune

Tjaart van der WaltI have been playing guitar for about 15 years (on and off). I mostly play acoustic guitar but when I play my electric guitar I easily and accidentally bend the strings so that the chord I am playing sounds out of tune. Will this be solved by putting heavier strings on the electric guitar? I have ...

Jan 2 00:54
2
Q: Place fingerings properly for double stops

Mark T.I have the following example: \score { \new Staff { \relative { \clef bass \time 6/8 \key c \major fis'8 e dis e b <<dis!-3 fis-1>> | << \voiceOne { g4.-1 g4.-1 ( | fis4.-1) fis4.-3 ( | e4.-2) e4.-4 ( | dis8-2) s8...