If you've only read my novels you might not be familiar with my fantasy. Here's "The Nalendar" which was reprinted at Uncanny http://ow.ly/Xc4r30iIgiN
And here's "Marsh Gods" at Strange Horizons http://ow.ly/OrZw30iIgtY ; "Beloved of the Sun" at Beneath Ceaseless Skies http://ow.ly/ke0p30iIgy6 ; and "The God of Au" http://ow.ly/hTID30iIgB9.
Hold my coat, Twitter:
So, yet again, a dude is trying to steal credit from a brilliant woman.
The @observer today treats us to yet another poorly-researched rehash of the ancient canard, ‘Mary Shelley’s husband deserves the credit for Frankenstein’ https://www.pressreader.com/uk/the-observer1702/20180304/281642485673501
Goal: Read the classic books of literature and philosophy to learn the ideas of the great minds of the past about the world, life and everything else.
Problem: I simply can't understand them. And the older the text the worst it gets.
Example:
"In all judgments in which the relation of a subject...0
Q: What are the tales that familiar with Western readers that similar to "Blind men and an elephant"?
What's clear is that there's a *critical* analogue to Laura Mulvey's male gaze. As critics and consumers, we've been taught to underread female-centric art. We glance at it, classify it, say "got it," and move on. This is the male glance. Here's my thinking re: how it works. https://twitter.com/wrightallison/status/970746904161214464
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Thomas Hardy's short poem "At Lulworth Cove a Century Back" is a sort of ode to Keats, who apparently left England from near Lulworth Cove on his way to Rome:
"Good. That man goes to Rome — to death, despair;
And no one notes him now but you and I:
A hundred years, and the world will foll...
