1:32 PM
@Robusto So we've started rehearsing The Messiah now.
And I know I mentioned it briefly before in passing, but: Jesus Christ, what a world of difference to Bach.
Even just the Hallelujah that everyone has heard a billion times. Not to mention the other 50+ pieces.
Basically you only know WTF you're doing if you're at the very top with the sopranos singing the melody, and maybe down below in the bass (for the most part).
Everything else, you're in no man's land.
Like, usually that fate is reserved for the altos, but here it's the tenors, too. You never even know where the tonic is.
I don't know what the hell I'm supposed to be doing, even when I have two pros who do, singing into both my ears at once.
During this last rehearsal, one voice were working on a line, I believe it was the altos, and the choir master asked the piano player to just play it for everyone to hear. Just the two bars of sixteenth notes.
And he's, like, the best piano player in the world. That sort of guy. Really astonishingly good.
And he played it and he screwed it up.
Everyone laughed heartily. He laughed heartily, too.
Then he played it a second time at half the tempo. Screwed up two notes still.
A third time, perfect now, but yeah everyone was still shaking with laughter.
So naturally when I came back home, I sat down at the piano and played those two bars.
You'd say nothing to write home about, normally. Just from looking at the score. Just 24 sixteenths, and in a middle voice that does not even matter.
But sure enough, I fucked it all up. Every other note was like, WTF is happening, how can anyone write this, have they sat at a keyboard before. Literally unplayable.
Give me Bach, or give me death.