we gave munchkin an agender middle name, so she has a backup if sexism in the workplace still exists 20 years from now. or if anything else happens, so it isn't immediately a question of choosing one's favorite anime character.
it might or might not. i haven't checked to see if they have other patents. in pharmaceuticals this is often an issue. you can certainly dye white chocolate red without paying a royalty to these guys.
I have seen it said on Mathematics Stack Exchange that proofs by contrapositive are generally preferred over proofs by contradiction (for instance here and here). In other words, it is bad style to prove an implication $P\to Q$ by assuming $P\land\neg Q$, and then giving a direct proof of $\neg Q...
The theorem is: Let $V$ and $W$ be finite dimensional vector spaces with ordered basis $B=\{v_1,v_2,...,v_m\}$ and $C=\{w_1,...,w_n\}$ respectively and let $T:V\to W$ be linear.Then, for each $u\in V$, we have $$[T(u)]_C=[T]_B^C[u]_B \tag 1$$
The proof is this: Fix $u\in V$ and define linear maps...
koro, not to discourage you from studying this, but as a background fact, this result seems structured by wanting to leverage something he must have already done elsewhere with linear maps from F into F-vector spaces. it's not how a normal human being would structure this proof.
Today, I had a question in the morning about dual spaces. In the search of understanding, I saw Friedberg's LA and I understood a new concept double dual space. Using that, I could prove the result.
In my topologica data analysis we had to come up with a proof that gluing mobius bands through their boundary gives a klein bottle by giviing suitable triangulations
I think you're making this too difficult, @Holee. Just draw the two rectangles with appropriate identifications. And add the additional identification for gluing along the boundary.
So I show it's a klein bottle first without using simplicial complex?
and then I provide my own simplicial complex for the Klein Bottle?
because I am asked to calculate homology stuff after
that makes sense
although after that we have to glue another surface to it that touches it weirdly , which makes us get some weird topology that isn't a manifold, and we also gotta turn it into a simplicial complex
And "mazel tov" is generally more "congratulations" than "good luck" (though it can certainly be translated that way, it has a congratulatory connotation).
@TedShifrin I am considering commenting there: "Indeed, the contrapositive of $A\to B$ is $\lnot B\to\lnot A$. Proving $\lnot B\to\lnot A$ is done by assuming $\lnot B$ and then proving $\lnot A$. One way of proving $\lnot A$ (by contradiction) is to assume $\lnot\lnot A$ (which is equivalent to $A$) and then arrive at a contradiction. However, proving $\lnot A$ does not mean assuming $A$ and arriving at a contradiction."
@TedShifrin Sure enough. Though my understanding is that it has been incorporated into modern Hebrew, even if it not originally of Hebrew origin, so it isn't exactly wrong to say that it is Hebrew. :P
@robjohn The question is closed (not sure why, honestly). But I think that if "formal proof" means that every proof is a proof by contradiction, then I'm just stupid
Anyhow, since I'm not a student of "formal logic" or "formal proof," I gave up. That's why I wanted Alessandro's help.
Agh, if I ever have to use Inkscape (I was going to draw the Klein bottle as identification space), it's going to take some learning. I was so competent with Illustrator.
$\lnot Q\to\lnot P$ is the contrapositive of $P\to Q$. contradiction is a method of proof: Prove $P$ by assuming $\lnot P$ and arriving at a contradiction.
@TedShifrin I don't think that the difference between contraposition and contradiction is a matter of opinion, but it is also not clear that this is the crux of the question, which is also about whether it is good style to use contradiction.
Lack of clarity might also have been a reasonable close reason.
But the question ultimately reads:
> In this example, does it really matter that the proof by contrapositive above is phrased as a proof by contradiction? And if not, why are the objections to proof by contradiction raised above not relevant here? When is it important to care about whether a proof is by contrapositive, or proof by contradiction?
fair. i guess i don't see why it's useful to split up the logs for that. $\frac{d}{dy}\left|\frac{1+y}{1-y}\right|= \frac{2}{1-y^2}$ is nice enough by itself
Voting someone out of office is logically equivalent to going back in time and killing their parents before they were born.
If someone had found a simple way of proving Fermat's Last Theorem right off, they might be equivalent, but just think of all the other math that was discovered along the way.
hi, for showing that the sequence $\frac{n!}{n^n}$ converges to $0$, is it fine if I do this: $\frac{n!}{n^n} = \frac{n\cdot(n-1)\cdot(n-2) \cdots 2\cdot1}{n\cdot n \cdot n \cdots n \cdot n} = (1 - \frac{1}{n})\cdot(1 - \frac{2}{n})\cdots (1 - \frac{n-2}{n})\cdot(1 - \frac{n-1}{n})$. Then since the multiplication of convergent sequences also converges and converges to the multiplication of the limits, I get $1\cdot1\cdots0\cdot0 = 0$. Is this fine?
the point is that, if you had a product like $A^1_n A^2_n\cdots A^k_n$, and each factor converged as $n\to \infty$, then the product of sequences would converge to the product of their limits
and that means you need to have a scenario $A_n^1 A_n^2 \cdots A_n^k$ if you're going to take $n\to\infty$ and expect that to converge to $A^1 A^2\cdots A^k$
@TedShifrin at the end of the day, what i get from integration by parts is $$\int_0^1 \frac{x'}{x}\ln\left|\frac{x'+x}{x'-x}\right|=\frac12+\frac{1-x^2}{4x}\ln\left|\frac{1+x}{1-x}\right|$$
which i know is correct
but it's still an integral that feels like pulling teeth for me
you have a natural inner product on the space of cusp forms of weight $k$ and there's a linear function from the space of cusp forms that sends the cusp form to its $n$-th Fourier coefficient. By Riesz this is represnted as the inner product with some cusp form. If you work out which cusp form that is, you get that monstrosity