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04:03
@Aaron this is a unique place nowdays and if i ever progress to to higher levels of composition i will never forget this chat room
@Aaron true , sometimes i can't understand what the book is trying to say and it is not even saying anything important :)
 
6 hours later…
09:38
@user98606 That’s really good! Thanks for posting. I especially like the accelerandi.
But, I think there’re a few minor typos with some of the hairpins, dynamics, and rests:
* In measure 6, the violas, cellos, and contrabasses don’t have a starting dynamic (similarly in measures 63 and 92).
* The cellos appear to be missing a dynamic marking for measure 8.
* In m. 11, there are some hairpins over rests (similarly for m. 97).
* In m. 14, there are some dynamic markings conflicting with the crescendo.
* The 1st violins’ dynamic in m. 41 should be moved to m. 42.
* The violas in m. 67 have their hairpin in the wrong direction.
* I’m not sure what’s going on with the hairpin for the contrabasses in mm. 80–82.
10:25
Wow that's more than just a typo i'm definitely correcting them maybe i published it too early
Lol i guess it takes some time for me to get used to working with this score apps

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