Emily Dickinson's poems were heavily edited before printing, and one of the more understandable things they did was to simplify her use of dashes because she used dashes that printing machines could not replicate.
Most memorably, dashes that slanted up or down (as well as being longer, shorter, and with varying amounts of space).
(And yes, contrary to popular belief, Dickinson had poems published during her lifetime. Her writing was not a mystery to those who knew her, and it wasn't a surprise that she had written over a thousand poems.)
(There's a lot of bunk about Dickinson, almost as much as about Poe, which caters to our desire for neatly concise dramatic stories rather than describing the genuine interesting people they were.)
The common vision taught in American schools is that Dickinson was a lonely goth chick who wrote angsty poetry because her poor social skills meant nobody wanted to marry her, and that she never shared her poems with anyone so her family was surprised to find 1800 poems locked up in her room after she died.
So, I have noticed several high-rep users edit perfectly good and upvoted questions containing language like "Is this good" or "Is this a good way of approaching this issue/solving this problem" or "Is X good for/at Y". I think that many of these questions are excellent questions and I wish we g...
@doppelgreener Are you going to have the bowling alley scenario ready for Saturday? No pressure, I just want to know what and how much I should be prepping.
@joe Beware the combat tailor? ... That'd make an amazing build recommendation question if you have a game that it'd be "suited" for. — Brian Ballsun-Stanton ♦3 hours ago
Hmm. I'd be shocked if Tool hasn't done something with clocks at some point. I mean, they've done Gregorian chants and hospital monitors in the same song.
I'll ask my Tool expert, but he won't get back to me 'til tomorrow.
Dream Theater's Regression isn't quite a song, maybe, but it's an album intro with a tick.
Yeah, those don't have a long projected survival rate.
@Emrakul I built the template four years ago, when the magazine had a different editor and a rather different mandate. Since then I've been slowly modifying it each year as things changed. Since I upgraded to CS6 last month it's a great opportunity to start over and purge the unnecessary bits of older versions that are still lurking beneath the surface.
After that meeting, I know almost everything that's going to be in the issue, with a few pieces that might get added depending on author revisions and page count needs.
Now I have lots of time to work with the interns on processing the raw submissions into a format that InDesign will accept gracefully. This will include consulting with the editorial board and the authors to clarify various issues of whitespace and typography; it's often difficult to tell what's deliberate, and what's an artefact of the author struggling with MS Word.
user61230
That's great, though! Do they usually tell you exactly what they need up front?
And since the magazine's mandate is (in part) to provide a space for Pacific authors and artists to explore the emerging Pacific cultures of the written word, it's important to preserve intent: there are pieces which aren't poem, or prose, or song, or essay, or anything else in the Western canon of written work--stuff English doesn't even have words for.
@Emrakul Nope. Part of my job is teasing out the right questions to ask.
user61230
Hmm. Are they at least consistent once they do tell you?
@doppelgreener This year we've got a submission from Fiji which is a written version of a performance/prayer/song that really exists only as an oral tradition. The very notion of this being a thing which can or should be written down is rather novel.
We'd use words like "ritual chant" to best approximate it.
We get strange and marvellous meldings of form, using Western structures to capture Pacific oral traditions, or striking away from Western structure entirely into things that aren't poem, or essay, but are also both.
There's one submission that is... I dunno, most like free-form poetry with each "line" being a full paragraph that stands alone as a stanza. But it's also written as a satirical medical report.
At the same time.
There's one submission which is either a three-line poem in Chamorro that's been translated into English, OR it's a poem with one three-line stanza in Chamorro and one three-line stanza in English: we can't tell.
The difference in meaning between the two stanzas is small, but significant, and we can't tell if that's an artefact of the translation or a deliberately-created bilingual tension.
Or, again, both.
But that sort of thing is for the editors to talk about.
I'm working on the level of "This author used whitespace in X way. Is that significant and should be preserved, or is it incidental and can be standardised?"
(If doublespacing is regular throughout the peice, it's almost never part of the author's vision; if it's irregular that implies intent... or poor proficiency with the software.)
If a picture has been included with the text, does its placement in relation to the text have meaning?
And there are more fundamental issues like--what page canon do I use? Very few Pacific cultures have page canons because their history with writing on paper is relatively recent and dominated by non-Pacific cultures.
I'm using a European page canon which draws on the ratio 2:3.
This is... simple and pleasant, but by no means neutral. Any page canon I choose is going to give preference to one culture of the written text over all others. In a context of trying to nurture emergent cultures of the written text which have very little written history to draw on, that becomes a major deal.
Imagine a culture trying to develop its own style of theatrical performance, but all the stages they can use are designed for some other culture's style.
Ditto font choices, and even something as simple as "Do I put the author or the title first?"
(I was writing a quick SF.SE filk to exorcise the idea that's been bouncing around my head for a while, and looked up YouTube versions to make sure I remembered it right.)
I love how what I think is a simple question end up being very elaborate and what I would have thought overly specific. I just am not good at supplanting my thought process into the question I guess
Or, I think my thought process is the same as everyone else's. I am an introvert after all
C.G.P. Grey is an eponymous YouTube channel featuring short explanatory videos. The channel's first popular video was an explanation of the terminology of the British Isles, which went viral.
The channel has also spawned several spin-offs, including a secondary channel, CGPGrey2, and a channel with playlists of Grey's favourite videos called "greysfavs". In addition, Grey created the podcast Hello Internet with Brady Haran, creator of many well known educational YouTube channels.
== Videos ==
The channel provides, among other things, Grey Explains, a series of explanatory videos on a rang...
He makes educational videos, I dont agree with his views on things like copyright but I very much enjoyed his 2 LOTR videos and his general style is great.
The other guy on the podcast is this guy who makes a ton of education youtube videos and has a bunch of channels
Brady John Haran is an Australian independent film-maker and video journalist who is known for his educational videos and documentary films produced for BBC News and for his YouTube channels.
== Career ==
Haran studied journalism for a year before being hired by The Adelaide Advertiser. In 2002 he moved from Australia to Nottingham, United Kingdom. In Nottingham he worked for the BBC, began to work with film, and reported for East Midlands Today, BBC News Online and various BBC radio stations.
In 2007 Haran worked as a filmmaker-in-residence for Nottingham Science City, as part of an agreement...
the interplay is that Brandy used to be a professional journalist and sort of leads the discussions by his questions while CCP Grey expounds on things, its a nice back and forth, they also have great voices lol
He drops a link to one of the more recent podcasts in his lastest video (LOTR vid 2) and I just really enjoyed their discussion about what you would do if the ring corrupted you in a completely silly way, but they talk about "real" stuff too in many ways, it never devolves into pedantic nerdery (as enjoyable as that is sometimes)
The episode im listening to know is talking about The Royal Society archives in the UK and also about how the first edition of the hobbit did not feature the big confrontation between biblo and gollum in the way we've read it
How many ways can you stir coffee without a spoon? How many ways can you tell the querent they are an idiot? All can be found here: lifehacks.stackexchange.com/questions/4229/…
and yeah Ive read a lot of drafts or letters to his son about the LOTR series as he wrote it
and all the effort into The Silmarillion
Ive probably neglected the hobbit more than I should simply because it was a simple launching point vs the complexity that came afterward, thats not a good excuse mind you, but its probably the reason
@DavidWilkins re: your question on the dragon, make the ancient a potential ally instead of an antagonist. Your characters are going to want/need the metallic dragons' support later in the adventure.
I love CS lewis' nonfiction but tend to avoid rereading his fictional works because they are too allegorical (Despite being a protestant myself) whereas the inverse is true of tolkien
@DavidWilkins consider what's going on in HOTDQ. the cult is allied with the chromatics to try to return Tiamat to the Realms. Basically everyone else is involved in trying to defeat them.
(and this is super clear when you get to RoT where the opening is several council meetings)
Im also looking at the factions again and I find I am increasingly attracted to the Enclave and Lords' Alliance as concepts (I still like Gauntlet a lot as well) but both harpers and zhentarim are utter snoozefests
The wyrmling is metallic too, so maybe the ancient was trying to rescue it from the cultists, who were trying to train it for their ends? I'm not sure if that works canonically
This was a big deal of the Drow campaigns that wrapped up the 4e organized play runs
and it made a lot of sense (it was very cutthroat)
its less extreme now but factional standing, like magic gear, is something you can track as your character progresses and adds out of combat abilities and resources to call upon
@besw have you seen the Auralnauts versions of the prequels?
Someone on a gamefinder on 4chinz seems to have one set up (and apparently is more interested in 4chan people than on the horde of people making threads on the game's roll20 page lol)
(not sure what that says about the game or the dm... >.>)
"Campaign is set in generic Dawn War fantasy setting. Main villain is an Ancient Green Dragon that has taken up abducting beautiful women and revels in the chaos and despair that goes with taking beautiful women. Expect beautiful women to be a constant source of plot in this campaign. Other than that little magical realmishness, it'll be a completely normal D&D swords and sorcery campaign. Some races in the DMG NPC table may be allowed. Starts at lvl 1."
Proposed Q&A site for all hobbyists interested in RC/scale modeling, from static display to operational models. This includes design, construction, diorama, painting and finishing and display aspects, as well as operation and setup techniques of working models.
Currently in definition.
Mini sculpting/painting is on topic. Tell your friends! Tell your enemies! :)~
First of all, hi there! I'm trying to design a good campaign for this specific group of players, but I seriosly need help. Of course, like any GM, I just love making a epic campaign, full of dramatic and fun moments. I have enough experience to design a campaign like that. But I'm not looking exa...
Anyone got good ideas for a flying animal companion in pathfinder? I rescued an as yet unnamed flying animal (large) from a hill giant hunter last night, and when it heals (Miraculously in time for me to be 4th level) it will be a companion. I think almost anything short of a dragon is on the table.
Having a giant eagle at your beck and call would be awesome - both air transport + heavy artillery you can call in during an outdoor combat.
You could ride your giant eagle on long trips - save wear & tear on boots and pesky random wildreness encounters, drop the One Ring into Mt. Doom, etc. :)
In Pathfinder I'd like to make an NPC Duergar seem as a normal Dwarf. "Disguise Self" only works for 10mins/level, which is not an option for the NPC, since he is a spy for his people working for months with the dwarves above ground. Any ideas how to let him be in disguise for a longer time? (Or should I make a real question about that?)
that is a very cool article about publishing costs and rates for writers
My wife jokes I spend so much time on RPGs that I should make money doing it and I reply that at best you can hope to make is a modest, but respectable salary if you end up as staff somewhere like the D&D team which is increidbly small and all those people spent years and years to break that point
one thing I've noticed observing the D&D team and others is the crazy lack of stability in the industry. I'm someone who needs/wants a stable job...and that's not something you'll find in that industry
yeah, that's an industry that's intriguing, but not something I'd have a strong interest in entering because of exactly that. You routinely hear of full team layoffs
it baffles my mind because there are plenty of other industries (even other software development fields) where it works on the same basis, contract work is what funds the company, and they manage to not instalay everyone off
much like everquest or ultima before it, wow was simply the right game at the right time and there is a certain amount of inertia and first mover advantage they got that means they will not be dethroned until there is a new paradigm
As a result of Do we need more Mutants and masterminds edition tags? we now have a couple of Mutants and Masterminds edition tags: m-and-m2e and m-and-m3e.
By the convention of basically every other edition tag on the site, those should be m-and-m-2e and m-and-m-3e, with that extra hyphen before...
@JohnP Oh, it's not a tablet tablet. It's a pen tablet.
For regular tabletyness, I have a Kobo Arc that I got super cheap a couple years ago. It doesn't have bluetooth, but it's otherwise quite sufficient for my minimal tablet needs.
@JohnP That would be margins. I'm referring to margins across the whole company, so that your established products can loss-lead the newer, riskier moves.