In the book Nation, by Terry Pratchett, a sailing ship becomes airborne from the force of a storm, and is pushed inland quite a distance, before becoming lodged in trees. Is this possible and are there records of it happening to other sailing ships, that possibly Terry Pratchett could have used ...
As predicted, we don't currently get many new questions.
@Emrakul It has old style numerals, so it can't be very recent, but it mentions "breakfast food boxes" and has nice even letters, so it can't be too old either.
Many Southern authors of Harper Lee's time period wrote very autobiographical works. This led me to wonder how much Harper Lee's personal life was reflected in the narrative of To Kill A Mockingbird. After some research, I was not able to find much. However, I found some information to suggest th...
I am talking about this question. While I personally like it, there is no way that it can be answered while not speculating. The only argument I would make against closing it is that how could he have known it was unanswerable.
I am studying Samuel Barber's art song "Nuvoletta", whose text is adapted from James Joyce's Finnegans Wake. I have not studied Finnegans Wake. The music is very beautiful, but I have no idea what the lyrics is all about. What are some possible interpretations? What can be said about Nuvoletta (w...
@Skooba Giving extra weight to answers which deal with authorial intent (except when the question is specifically asking about authorial intent) is a horrible idea. Authorial intent is just one of many critical lenses, and there are a great many ways to analyse a work which don't value authorial statements at all.
I mean, seriously, I could answer any question "what's the meaning of this Bob Dylan song" with his 1965 interview: "Mr. Dylan, what are your songs about?" "Oh, they're about three to five minutes."
Not helpful.
Authorial statements--especially by song writers--are often the LEAST useful information to bring to bear on a song. One member of America said Horse with No Name's esotericism is because they were stoned when writing it; another member says they weren't. Close reading, historical context, comparison to other works by the same author, cultural response--these are often more productive tools to bring to bear on a song.
It's also a good example of how lit.se shouldn't be too quick to lay down artificial lines on topicality; "Open In Emergency" is a special issue of a literary magazine.