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021
1:04 PM
Hey ! I'm pretty new to music theory I'm trying to analyse the music "Rude Buster" from Deltarune OST (link here : https://www.youtube.com/watch?v=dQCZbccqE7s ), and so far I'm slowly making progress in understanding the piece, which is nice :)
Though, there's still one thing that I can't really understand yet. The piece is in F#minor. In the second half of bar 1 & 3, the crazy bass goes from highlighting an F#5 (which goes well with the chord part that does an A major, creating a F#m7) to highlighting a weird G5 (bII5 ? borrowed from phrygian ?) chord when the chord section stay on Amajor
 
021
1:18 PM
Another guess would be that a B is implicit, making this chord G7#11 (with the 9, A). This make more sense to why this chord doesn't sound dissonant to me. So I would be tempted to treat it as a G7#11omit3, in relative a bII7#11omit3, borrowed from phrygian I guess ?
 

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